(Production Notes)

“Into the Night” is a thriller-comedy about two strangers who stumble into international intrigue and share a bizarre and deadly adventure in the night world of contemporary Los Angeles.
The film is the eighth feature film of director John Landis, whose credits include “Trading Places,” “National Lampoon’s Animal House” and the rock video “Michael Jackson’s Thriller.”
The role of a quiet-living aerospace engineer whose insomnia leads him into a life-and-death adventure is another big step in Jeff Goldblum’s steady growth from memorable small parts to starring roles.
Michelle Pfeiffer has one of the largest and richest roles of her career to date as the beautiful young woman who lives on the edge of big money and big powgr and slips into big trouble.
These two young stars are supported in “Into the Night” by an eclectic gathering of international talent.
Richard Farnsworth, the stunt man turned award-winning actor, plays a dying millionaire who ends his colorful and powerful life with a stunning beau qeste. Farnsworth describes Jack Caper as “an old dinosaur trying to go out with a little dignity.”
To portray an Iranian wheeler-dealer, the imperious and ruthless Shaheen, Greek actress Irene Papas came to work on a Hollywood location for the first time and played one of her few roles with comedic overtones.
Shaheen, says the acclaimed tragedienne, is a woman who “wants to see how far she can go with evil.”
Writer-director-producer Paul Mazursky takes on his 14th feature film role in “Into the Night,” his third time playing a producer. The versatile filmmaker started as an actor and comedian. Says Mazursky, “I’ll always be an actor.”
Kathryn Harrold, most often cast to date as the professional type, plays a giddy and ambitious starlet, a role that ranges from light humor to sudden tragedy.
Except for a small part in his own film “Charlotte” (1976) Roger Vadim’s portrayal of the suave and sinister Monsieur Melville is his first acting venture since he was a teenager in the French theatre. The director of the landmark “And God Created Woman” and many other films calls the mysterious Melville “an elegant villain with a sense of humor.”
Veteran actress Vera Miles, often seen as the loving wife of actors such as John Wayne, Henry Fonda and James Stewart, plays the mercenary and manipulative spouse of a rich, powerful man (Richard Farnsworth) in “Into the Night.”
David Bowie, one of the few rock stars to have achieved a solid reputation as a dramatic actor, plays the English assassin Colin Morris. The chameleon performer, who scored a Broadway acting triumph in “The Elephant Man,” says “I was flattered when John Landis asked me to be in this film, because he has made some of my favorite films of the past decade.”
“Ghostbusters” star Dan Aykroyd appears as Herb, Jeff Goldblum’s engineering coworker. In this supporting role, Aykroyd is reunited with Landis, who directed him in “Trading Places,” “Twilight Zone — The Movie,” and “The Blues Brothers.” On the latter film, Aykroyd and Landis were also the cowriters.
“Into the Night” represents the film debut of country music legend Carl Perkins, who plays an Iranian playboy’s diligent bodyguard. He interrogates Jeff Goldblum-in a.swanky club and wages a fatal fight with David Bowie.
The “Into the Night” company filmed the movie’s ambitious action climax in the passageways and gate areas of Los Angeles International Air-
port, working smoothly around the terminal’s ongoing operations. No production had ever before been allowed to film such extensive action at LAX.
Other large-scale filming sites included Rodeo Drive, from Santa Monica Boulevard to Wilshire Boulevard; interior and exterior scenes at the Beverly Wilshire Hotel; the yachting docks of Marina del Rey; the downtown flower market, and the streets of Century City, where a chase climaxes in a parking structure.
The more than 40 locations in the film, ranging across the city, also included: the historic Marion Davies mansion in Beverly Hills, built by William Randolph Hearst; the operational Burroughs electronics plant in Westlake; Battaglia, an elegant men’s clothing store on Rodeo Dr-hie; Hollywood Boulevard exteriors, including the front of the “X-rated” clothing store Frederick’s of Hollywood; a Malibu beach house; a Hollywood apartment building; Touch, a private club; the gaming area of the Playboy Club (Century City); and the exterior of Tiffany’s on Wilshire Boulevard.
A house in Pasadena featuring Saracenic architecture doubled as the home base of Shaheen and her entourage. An empty penthouse suite in theWestwood area of Wilshire Boulevard was converted by the film’s art department into the luxurious residence of the doomed Hamid.
The working Set of a television series (“Kalijak: San Francisco P.D.”) was recreated on exterior sets at 20th Century Fox Studios, where Landis once worked as a mail boy.
Working on impressively authentic locations is becoming a habit for Landis and producer George Folsey, Jr., who staged the climax of “Trading Places” on the floor of the never-before-filmed Commodities Exchange in New York. They filmed the pursuit finale of “An American Werewolf in London” amid the traffic of Piccadilly Circus.
“The Blues Brothers” featured the invasion of Chicago’s Daley Plaza and its city government offices, spectacular car stunts in the city’s streets and tunnels, the reconstruction and subsequent demolition of a deserted shopping mall and the fall of an automobile into the heart of the city from a height of 1200 feet.
“Into the Night” gave British cinematographer Robert Paynter the chance to capture the diverse atmosphere of the City of Angels on several levels.
This challenging project had him filming at night for over 10 of the 14- week schedule and required mammoth lighting setups for locations such as Rodeo Drive, the docks of Marina del Rey, the downtown flower market, the exterior of the Marion Davies mansion and streets and a parking structure in Century City.
The score of “Into the Night” is uniquely designed around the talent of one performer, blues guitarist and singer B.B. King. The Grammy-winning artist makes his feature film singing debut on the soundtrack and stars in his first video, titled “Into the Night,” under the direction of Landis.
The eclectic score features two new songs by composer-conductor Ira Newborn–“Into the Night” and “My Lucille.”

Michelle Pfeiffer’s red Napa calif jacket which she wears throughout much of the film is the third leather jacket created for the screen by costume designer Deborah Nadoolman. She designed Indiana Jones’ aviator’s jacket for “Raiders of the Lost Ark” and Michael Jackson’s red and black jacket worn in “Michael Jackson’s Thriller.”

                                                                                                                                                                                                               THE ACTORS

JEFF GOLDBLUM’S portrayal of Ed Okin in “Into the Night” is a solid step on his rise from memorable small parts to starring roles.
Goldblum was recently named New Star of the Year by the National Association_ of Theatre Owners after his portrayal of the magazine reporter in the hit film “The Big Chill.” He won additional acclaim in the challenging title role of the television movie “Ernie Kovacs: Between the Laughter.”
Goldblum’s other starring parts include “Threshhold,” the PBS play “Popular Neurotics,” and the television series “Tenspeed and Brownshoe,” in which he costarred with Ben Vereen.
Goldblum built a following and a reputation for quality acting in a remarkable variety of small but rich performances. These include the mud bath proprietor in “Invasion of the Body Snatchers,” New Jersey in “The Adventures of Buckaroo Banzai” and a NASA recruiter in “The Right Stuff.”
Among his earlier work, he was the meditator who forgot his mantra in “Annie Hall,” the mysterious magician in “Nashville” and the garrulous actor in “Next Stop, Greenwich Village.”
Goldblum’s other credits include “Remember My Name,” “Thank God It’s Friday,” “Between the Lines” and his first picture, “Death Wish.”

Born in Pittsburgh, Goldblum studied at New York’s Neighborhood Playhouse. He made his stage debut in the Shakespeare Festival’s musical version Of “Two Gentlemen of Verona” and went to Broadway with it.
It was Goldblum’s performance as the manic pianist in “El Grande de Coca-Cola” that caught the eye of director Robert Altman, who lured him to Hollywood for a part in “California Split.”
His other New York stage work includes “City Sugar” and the Broadway musical “Moony Shapiro’s song book.”

The dynamic central role of Diana in “Into the .Night” marks a major step forward in the fast-flowering career of MICHELLE PFEIFFER, who made a strong impression as Al Pacino’s icy bride in “Scarface,” directed by Brian De Palma.
She then went on to play a medieval princess in the romantic adventure “Ladyhawke,” directed by Richard Donner. ,
Coming to Los Angeles from her native Orange County, Pfeiffer made her film acting debut as the carhop In “Hollywood Knights.” She next played the debutante in “Charlie Chan and the Dragon Queen.”
Between films, she acted in the Los Angeles stage production “Playground in the Fall” and in the television movies “Callie and Son,” “The Children Nobody Wanted” and “Splendor in the Grass.”
Pfeiffer won a nationwide talent search to land the role of the Pink Lady in “Grease 2.”

RICHARD FARNSWORTH plays Jack Caper, the powerful millionaire who, by making a phone call from his sickbed, can make things happen.

Farnsworth became an actor after a long, successful career as a stunt man and action advisor. In his first sizable film role, the dying cowhand in “Comes a Horseman,” he was nominated for an Academy Award and received the National Film Critics Award for Best Supporting Actor.
He went on to win the Canadian equivilant of an Oscar for his portrayal of the legendary bandit Bill Miner in “The Grey Fox.” Farnsworth’s recent movie roles include a big league baseball coach in “The Natural,” Dolly Parton’s father in “Rhinestone” and horse-loving.Melissa Gilbert’s grand- father in “Sylvester.” He has also appeared in “Tom Horn” and “Resurrection.”
While still working as a stunt expert, Farnsworth appeared briefly in “Major Dundee,” “The Duchess and the Dirtwater Fox,” Claude Lelouch’s “Another Man, Another Chance” and as a cavalry officer in Alan Pakula’s “The Stalking Moon.” The latter role led to his being cast in Pakula’s “Comes a Horseman.”
Farnsworth, a thfrd generation Californian, did stunts in over 300 films, including “Red River,” “Cat Ballou” and “Spartacus.”

For the role of the imperiously evil Shaheen in “Into the Night,” Greek actress IRENE PAPAS shot on location in Hollywood for the first time and played one of her few parts with comedic overtones.
Papas is best known to American audiences as the Resistance heroine in “The Guns of Navorone,” the persecuted Greek villager in “Zorba the Greek,” Catherine of Aragon in “Anne of the Thousand Days” and the wife of the assassinated reformer in “Z.”
Among her other American films are “Tribute to a Bad Man,” “The Brotherhood,” Disney’s “The Moon Spinners” and “A Dream of Kings” with her frequent costar Anthony Quinn. Under the direction of Michael Cacoyannis, Papas has starred in the films “Electra,” “The Trojan Women” and “Iphigenia,” as well as “Zorba the Gre4k” and the Athens International Festival stage production of “Anthony and Cleopatra.”
Her additional motion picture credits include “Antigone,” “The Infidel,” “Mohammed, Messenger of God,” “Lion of the Desert,” “Eboli,” “They Still Kill the Old Way,” “La Bambola,” “The Deserter” and the recent “Erendira.”
On Broadway, Papas starred in Frank Gilroy’s. “That Summer, That Fall,” “Medea” and “The Bacchae.” Her other stage work includes “Iphigenia in Aulis,” off-Broadway, and the Greek National Festival production of “Electra.”

KATHRYN HARROLD, who has often been cast as a professional woman, plays the light-headed starlet, Christy, in “Into the Night.” 

Harrold has recently starred as the compassionate psychiatrist in “The Sender” Peter Coyote’s girlfriend, a graphic artist, in “Heartbreakers” and a disillusioned veteran of two marriages in the HBO special “The Best Legs in the Eighth Grade.”
Her other feature film credits include the role of the doctor in “Yes, Giorgio” the title character’s wife in “The Pursuit of D.B. Cooper,”
Albert Brook’s girlfriend, a bank officer, in “Modern Romance,” a nurse in “Nightwing” and a schoolteacher in “The Hunter,” opposite Steve McQueen.
Harrold has also acted in several television movies including “Bogie,” in which she played Lauren Bacall, the miniseries “Women in White” and a two-hour “Rockford Files” special, in which she played a blind psychiatrist.
The Virginia-born actress’ theatre credits include “Inside Lulu” and “See America Last,” both off-Broadway; and off-off Broadway’s “An Evening with Thomas Wolfe” and “Tartuffe.”

Director-writer-producer PAUL MARSKY began his career as a comedian and actor. His role as a television producer in “Into the Night” represents his 14th time in front of the feature film cameras and his third time playing a producer.
Mazursky is widely hailed as a creator of warm, personal films about the sadness and humor of the human condition. He is the director of “Bob and Carol and Ted and Alice,” “Alex in Wonderland,” “Blume in Love,” “Harry and Tonto,” “Next Stop, Greenwich Village,” “An Unmarried Woman,” “Willie and Phil,” “The Tempest” and, most recently, “Moscow on the Hudson.”
Mazursky received an Academy Award nomination for the screenplay of “Harry and Tonto” and the Best Screenplay Award from the National Society of Film Critics for “An Unmarried Woman.”
He cowrote and coproduced “I Love You, Alice B. Toklas” and was a writer for Danny Kaye’s television show for four years.
While still a senior at Brooklyn. College, Mazursky made his acting debut with a lead role in an off-Broadway production of “He Who Gets Slapped.” He made his film debut as a psychotic soldier in Stanley Kubrick’s first feature, “Fear and Desire.”
Mazursky went on to play a homosexual convict in the play and movie “Deathwatch,” a juvenile delinquent in his first Hollywood film “The Blackboard Jungle,” the manager of a rock singer (Kris Kristofferson) in “A Star Is Born,” and a larcenous computer programmer in “A Man, A Woman & A Bank.”
In his own films, Mazursky has played a film producer in “Alex in Wonderland,” for which he received a Best Supporting Actor nomination from the New York Film Critics; George Segal’s law partner in “Blume in Love”; a friend of-Jill Clayburgh’s first postdivorce date in “An Unmarried Woman”; and a Broadway producer in “The Tempest.”
Mazursky has also made smaller appearances in Mel Brooks’ “History of the World–Part One,” and his own “Bob and Carol and Ted and Alice,” “Harry and Tonto” and “Moscow on the Hudson.”
In the early phase of his performing career, Mazursky acted in off- Broadway and summer stock productions. He worked as a night club comic in NeW York, Chicago, San Francisco and Los Angeles and played Las Vegas once.
He also acted in live productions during television’s early “Golden Age” and in various Los Angeles repertory theatres.

VERA MILES, who has played loving wives to top stars, usually in westerns or other period pictures, portrays a mercenary spouse in the contemporary thriller-comedy “Into the Night.” She is Joan, the angry and manipulative wife of Jack Caper (Richard Farnsworth), a dying but still- powerful millionaire.
A veteran of nearly 30 feature films, Miles was married to John Wayne in John Ford’s “The Searchers,” to James Stewart in Ford’s “The Man Who Shot Liberty Valance,” to Henry Fonda in Alfred Hitchcock’s “The Wrong Man,” and to Bob Hope in “Beau James.”
She played Janet Leigh’s sister in Hitchcock’s “Psycho” (1951) and re- prised the role in “Psycho II” (1983).
Miles has acted in many live television dramas, as well as the mini- series “The Seekers” and the recent television movie “Helen Keller: The Miracle Continues,” as Helen’s mother.
Among her many television credits is the pilot for “Alfred Hitchcock Presents.” She starred in four segments of that popular show and was under personal contract to the director for six years.

Born in Oklahoma and schooled in Kansas, Miles made her stage debut in “Forty Carats” and has since toured in “Same Time, Next Year,” “The Gingerbread Lady,” “Ping Pong” and the world premiere production of George Tibble’s “Turn of the Worm,” among others.

Except for the small part of a French writer in his film “Charlotte” (1976), ROGER VADIM’S role as Monsieur Melville in “Into the Night” marks his first acting since he was a teenager in the French theatre.
The internationally renown French director’s first film was “And God Created Woman.” It became the first all-French production to be a hit in general release in the U.S. and made an international star and sex symbol of Brigitte Bardot.
Vadim went on to direct several more Bardot pictures and another popular and controversially erotic work, “Les Liaisons Dangereuses,” starring Jeanne Moreau and Gerard Phillippe. Vadim’s “No Sun in Venice” was a prize winner at the Venice and Berlin film festivals.
Vadim directed Annette Stroyberg in “Blood and Roses” and Catherine Deneuve in “Vice and Virtue.” He directed Jane Fonda in “Barbarella,” “La Curee,” (“The Game is Over”) and “La Ronde” (“Circle of Love”).
Among his later works, Vadim directed “Pretty Maids All in a Row,” starring Rock Hudson and Angie Dickenson, and “The Beauty and the Beast” for cable television’s “Fairie Tale Theatre,” starring Susan Sarandon and Klaus Kinski.
Vadim is currently developing an ’80s version of “And God Created Woman,” and recently wrote the novel “The Hungry Angel.”
Vadim studied acting under Charles Dullin and from ages 15-19 per- formed in Paris stage productions of “‘Tis Pity She’s A Whore” and various French classics.

At 18, he was one of Europe’s youngest screenwriters. He apprenticed in filmmaking under director Marc Allegret.
Vadim was a reporter for Paris-Match Magazine and was the last journalist to leave Dien Bien Fu during the historic battle that marked the end of France’s presence in Indochina. .

                                                                          SUPPORTING PLAYERS

Director DAVID CRONENBERG makes his film acting debut as Jeff Goldblum’s supervisor at the aerospace engineering plant.
Cronenberg is the director of “The Dead Zone,” “Scanners,” “Videodrome,” “The Brood,” “Fat Company,” “Rabid” and “The Parasite Murders.”
Prior to those commercial films, Cronenberg directed two experimental films, “Crimes of the Future” and his first feature, “Stereo.”
Cronenberg was the writer of all the aforementioned films .except “Fast Company” and “The Dead Zone.”
The Toronto-born filmmaker received the Canadian “Genie” Award as Best Director for “Videodrome.”

The role of an Iranian playboy’s diligent bodyguard marks the unlikely acting debut of country music legend CARL PERKINS. In “Into the Night,”
Perkins interrogates Jeff Goldblum in a Beverly Hills nightclub and wages a lethal knife fight with David Bowie.
A pioneer of the rockabilly sound and a highly influential artist in contemporary music, Perkins is most renowned as the composer of the .country classic “Blue Suede Shoes.” Perkins’ hit record on the historic Sun label sold two million copies and was the first song to make the country, pop and R&B charts simultaneously. It was recorded by Elvis Presley, among many others.
Perkins’ lengthy repertoire includes “Daddy Sang Bass,” a million- seller for Johnny Cash; “Matchbox”; “Honey Don’t”; “Sure to Fall”; and “Everybody’s Tryin’ to Be My Baby”–the latter three recorded by The Beatles.
Perkins’ early career flourished at Sun Records, also the home of Elvis, Jerry Lee Lewis and Johnny Cash, with whom Perkins later toured for 10 years.
Perkins was born in Tiptonville, Tenn., where his father was the only white sharecropper.

BRUCE McGILL portrays Diana’s angry brother Charlie, an Elvis impersonator. McGill previously played D-Day, the car freak, in “National Lampoon’s Animal House” and was the factory representative in “Silkwood.”
To appear in “Into the Night,” McGill took time off from his role in the Broadway musical “My One and Only.” In that hit show, he played Prince Nocolai Erraclyovitch Tchatchavadse.
McGill’s other films include “Tough Enough,” “The Ballad of Gregorio Cortez,” “The Hand,” “A Whale for the Killing” and “Citizens Band” (a.k.a. “Handle with Care”).
On the New York stage, McGill played Iago to Raul Julia’s “Othello,” and he acted in several plays at the Public Theatre, EST, and the Manhattan Theatre Club.
On television, McGill’s credits include the series “Delta House” and the pilot “Semi-Tough.”

BERUCE GRAMIAN plays the mustached leader of the SAVAK, who pistol- whips Larry (Jake’ Steinfeld).
Gramian made his movie debut with the costarring role of a Persian camel driver in the Iranian-American coproduction “Abdullah.” He then played an Afghani peasant in the film version of James Michener’s “Caravans,” on which he was also the casting director. In the Chuck Norris picture “Forced Vengeance,” Gramian was the villain’s secretary.

Gramian was born in Teheran, where he became an award-winning stage actor and director. Among his Iranian theatre credits, he directed “Miss Julie” and directed and acted in Tennessee Williams’ “Moony’s Kid Don’t Cry,” as well as “Henry IV” and “The Man with the Flower in his Mouth,” both by Pirandello.
Gramian has studied drama extensively at various U.S. universities and at the Strasberg Institute, where he cowrote and acted in a highly praised stage version of Hemingway’s “The Three-Day Blow.”

HADI SADJADI makes his feature film debut as the SAVAK’S wild-eyed driver, the one who stabs the man at the airport. Sadjadi previously appeared in an episode of “Manimal” and on PBS’ “William the Conqueror.”
Born in Teheran, he moved with his family at age 10 to Germany, where he later acted in theatre and on radio.
Sadjadi, a candidate for a Ph.D. in Applied Linguistics at the University of Southern California, is a teacher of mathematics and health science, as well as German and Farsi. He has also worked in evaluating the production of language computer software.

MICHAEL ZAND performed his first movie role in “Into the Night” as the crazed SAVAK who holds Michelle Pfeiffer hostage in the film’s action climax.
Among his theatre credits, Zand produced and played the lead role of the Jewish attorney in “Nuts,” one of the longest running nonmusical productions in the history of Los -Angeles theatre.
Following “Into the Night,” he started work as producer of the play “Class Enemy,” in which he took on the lead role of a pupil in a British comprehensive school.
Zand portrayed an Arab assassin in the Goldie Hawn film “Protocol.”
He has also acted on “Quincy” and “Cagney and Lacey” and the fantasY anthology series “Darkroom.”
Zand was born in New York and studied acting at the California Institute of the Arts.

JAKE STEINFELD, best known as “Body Builder to the Stars,” plays Larry, bodyguard to the millionaire played by Richard Farnsworth, in “Into the Night.”
Steinfeld’s workout clients include Steven Spielberg, Harrision Ford, Linda Gray and Drew Barrymore among others.
“Body by Jake” has taken the form of a book, a record album and a rock video. The original songs from the video have also been released as an album.
In addition, Steinfeld is building a career as an actor. He is one of the stars of the ABC-TV series “Shaping Up” and has appeared in “Indiana Jones and the Temple of Doom” and several other films.
It was while working on the Universal Studios Tour as The Incredible Hulk that Steinfeld was spotted by Cheech and Chong. They wrote his debut role for him, “The Amazing Womba” in “Cheech and Chong’s Next Movie.”

CLU GULAGER, the Federal agent who delivers Jack Caper’s farewell gift, is the actor who, playing a hit man, fatally shot Ronald Reagan in “The Killtng,” the President’s last film.
In “The Last Picture Show,” Gulager was Ellyn Burstyn and Cybil Shepherd’s lover, and in “Winning” he was Paul Newman and Robert Wagner’s chief mechanic.
On television, he has acted in the movie “The Glass House” and the miniseries “The Psychiatrist.” Gulager has also starred in the series “The Virginian,” “The Tall Men,” “The MacKenzies of Paradise Cove” and “S.F. International,” as well as the pilot “Evil from Encino.”

                                                                                                                                                                                                       THE DIRECTOR

“Into the Night” is the eighth feature film of director JOHN LANDIS.
Landis has also directed “National Lampoon’s Animal House,” one of the top-grossing comedies in film history, and “trading Places,” which was one of the most popular movies of  1983 and is the recipient of the NAACP Image Award for Best Motion Picture of 1983.
Landis also directed, coproduced (with George Folsey, Jr. and Michael Jackson), and cowrote (with Michael Jackson), the latter’s rock video “Michael Jackson’s Thriller.” This 14-minute short, coupled with the documentary “The Making of ‘Michael Jackson’s Thriller’,” was the first videocassette to achieve
Landis’ latest film “Into the Night” is a thriller-comedy set in the latinum cassette status. night world of contemporary Los Angeles. Jeff Goldblum and Michelle Pfeiffer star as strangers who stumble into international intrigue and share a bizarre and deadly adventure.

Along with his longtime associate George Folsey Jr., coproducer of “Into the Night,” Landis is one of the executive producers of Orson Welles’ new film he Cradle Will Rock.”
Among his other credits, he wrote and directed the first story in “Twilight Zone–The Movie” and the introductory section of that anthology feature. Landis was also the coproducer (with Steven Spielberg) of the film.
Landis has also directed and written “An American Werewolf in London” and was the director and cowriter (with Dan Aykroyd) of “The Blues Brothers,” one of the 10 most popular musical films.
Early in his career, Landis directed the low-budget anthology comedy “Kentucky Fried Movie” and his first film, the much lower-budgeted monster comedy “Schlock.”


“Into the Night” continues the association of director John Landis and producer GEORGE FOLSEY JR., a growing creative partnership that began in 1971.
Folsey is coproducer of “Into the Night,” a Landis/Folsey film. Landis and Folsey are also the executive producers of Orson Welles’ new film “The Cradle Will Rock.”
Folsey was the executive producer of “Trading Places,” a Landis/Folsey film, which was one of the most popular movies of 1983 and the recipient of the NAACP Image Award for Best Motion Picture of 1983.
Folsey was the coproducer (with Landis and Michael Jackson) and the film editor of the rock video “Michael Jackson’s Thriller,” on which Landiswas also the director and cowriter. This 14-minute short, packaged with the documentary “The Making of ‘Michael Jackson’s Thriller,’” was the first videocassette to achieve Platinum cassette status.
Folsey worked in key production positions on three more Landis-directed films: as the producer of “An American Werewolf in London”;. the associate producer of the first story and introduction to the anthology feature “Twilight Zone–The Movie”; and the associate producer of “The Blues Brothers.”
Prior to becoming a producer, Folsey was a film editor. He cut Landis’ first film, the monster comedy “Schlock,” and was its executive producer.
He went on to edit two more hits directed by Landis–“National Lampoon’s Animal House” and “The Blues Brothers.”
Folsey is the son of one of Hollywood’s cinematographers. After graduating from Pomona College, he worked as an editor for five years at KABC-TV in Los Angeles, on specials, news and documentaries.
Folsey developed much of his editing style under the guidance of Henry Berman, as Berman’s assistant cutter on “Grand Prix.” Among his additional editing work, Folsey was consulting editor on “The Great Santini.”
Group One Productions, a company Folsey formed with cameraman Bob Collins, shot and edited all the filmed (vs. taped) material on “Laugh-In,” including comedy sketches and musical numbers.
Folsey’s first film as a producer was “Glass Houses,” starring Jennifer O’Neill, an independently made feature acquired for distribution by Columbia.
On this project, he was also the editor and camera operator. 


“Into the Night” marks the rise of DAN ALLINGHAM to the rank of executive producer after having been the associate producer of “Reuben,
Reuben,” “The Chicken Chronicles” and “A Breed Apart.”
Allingham was the production manager on John Landis’ video “Michael Jackson’s Thriller” and the Landis sections of “Twilight Zone–The Movie,” as well as “The Baltimore Bullet” and the three-hour television movie “Ishi: The Last of his Tribe.”
Allingham has worked on dozens of feature films, both for the major studios and independents, as production manager and/or assistant director.
He has also worked as a producer and in other production positions on over 500 commercials.

                                                                                                                                                                                                                                 THE SCORE

The score of “Into the Night” is uniquely designed around the performing talents of one artist. B.B. KING, one of the greatest blues stylists of all time, makes his feature film singing debut on the soundtrack of this movie.
The eclectic score, under the direction of composer-conductor IRA NEWBORN, blends King’s guitar playing and vocals with a large orchestral group and a contemporary rock ‘n roll rhythm section.
King performs “Midnight Hour” (by Wilson Pickett and Steve Cropper) and two new songs by Ira Newborn–“Into the Night” and “My Lucille,” named after King’s trusty guitar. The movie soundtrack recording is King’s 49th album. King makes his
debut in the video field as the star of the rock video “Into the Night,” under John Landis’ direction.
King, now in his 37th year in show business, won Grammys as Best Blues  Artist for his albums “Blues and Jazz” (1983) and “There Must Be a Better World Somewhere” (1982) and for Best Male Performance, Rhythm and Blues, on “The Thrill is Gone” (1970).
King has also been repeatedly honored for his humanitarian work, especially in prisoner rehabilitation.
Newborn was the musical director of the movies “The Blues Brothers” and “American Hot Wax,” also serving on the latter film as the arranger.
Newborn composed the scores for “All Night Long” and “Sixteen Candles” and wrote songs for “Dr. Detroit” and “48 Hours,” including “Torchy’s Boogie.”
In television, Newborn wrote the theme for the “SCTV” show, was the musical director of “The Toni Tenille Show,” and scored the series “Police Squad.”
As an arranger, player and singer, he has worked on records with Barbra Streisand, Bette Midler, Ray Charles, The Manhattan Transfer, Gladys Knight and the Pips, The Pointer Sisters, and Charles Aznavour, among many others. –
Landis’ selection of B.B. King for the score and video of “Into the Night” continues his association with some of the great musical talents of our time. In his relatively short career, he has worked with James Brown, Cab Calloway, Ray Charles, Aretha Franklin, John Lee Hooker, Michael Jackson, Bo Diddley, Steve Cropper and Elmer Bernstein.

                                                                                                                                                                                                     THE DIRECTOR OF PHOTOGRAPHY

ROBERT PAYNTER, B.S.C. was the cinematographer of the John Landis features “Trading Places” and “An American Werewolf in London” and Landis’ 14-minute rock video “Michael Jackson’s Thriller.”
Among Paynter’s many other film credits are “Superman II,” “Superman . III” and “The Muppets Take Manhattan.”
The international lighting expert began his career as a cameraman for the British Ministry of Information in World War II England. He travelled extensively making government films, spending many years in Africa.

                                                                                                                                                                                                            THE COSTUME DESIGNER

DEBORAH NADOOLMAN was the costume designer on “Raiders of the Lost Ark” as well as “National Lampoon’s Animal House,” “Trading Places,”
“The Blues Brothers,” “An American Werewolf in London” and “Kentucky Fried Movie.” Her other credits include Louis Malle’s feature “Crackers” and the rock video “Michael Jackson’s Thriller.”
Designing leather jackets is becoming a trend for Nadoolman who created the red Napa calf jacket which Michelle Pfeiffer wears throughout most of “Into the Night.” She designed Indiana Jones’ aviator’s jacket and the red and black jacket worn by Michael Jackson in “Thriller.”
Prior to entering films, Nadoolman was the first person to receive a grant for costume design from the National Endowment for the Arts

                                                                                                                                                                                               THE PRODUCTION DESIGNER

JOHN LLOYD was the production designer on two previous films directed by John Landis–“National Lampoon’s Animal House” and “The Blues Brothers.”
His many other credits. include “Free Spirit” (a.k.a. “I’ll meet You in Heaven”), “MacArthur,” “The River Rats,” “Winning,” “Crackers,” “D.C. Cab,” “Raggedy Man” and the remakes of “The Prisoner of Zenda” and “The Thing.”
Lloyd’s television work includes the movie “Fear On Trial” and the series “Alfred Hitchcock Presents,” “Kojak” and “Ellery Queen.” Lloyd has received six Emmy monimations and won the award for the “Checkmate” series.
A Landis/Folsey Film, starring Jeff Goldblum and Michelle Pfeiffer, “Into the Night” is directed by John Landis and produced by George Folsey Jr. and Ron Koslow, from the latter’s screenplay. Executive producer is Dan Allingham.